An indifferent high school student, upon
completing community college in Grand Rapids I went west and worked as a deck
hand on a Swedish freighter bound for Australia. After five months of week after week, $100 per month physical toil, I realized the value of higher
education and was ready to study.
Fortunately one of my first classes at Western
Michigan University was economic development with Lou Junker. Lou was a
maverick, a pioneer nutritionist, with a passion for learning and making the
world a better place.
While working on the M.S. Parrakoola I became
fascinated with international trade. Our cargo was a case study in comparative
advantage. Among much else we took
Caterpillar earth moving equipment and Douglas Fir timber to Australia and
brought frozen beef and Fosters Lager back to Los Angeles.
Lou Junker provided a theoretical foundation to
practical economics. He was an
institutionalist, a follower of Thorstein Veblen and Clarence Ayres. Junker
stood apart from the rival Keynesians and neo-classicists. He ruffled feathers
and challenged conventional thinking. Rejecting my timid response to his
question of how many books I read each week, Junker put me on a study program—economics,
anthropology, history--and monitored my progress. In part because Milton
Friedman, Kenneth Boulding and other luminaries spoke on campus, ideas sprang
from the right and left, making my and many other heads spin.
Luckily, I learned early the importance of
finding passionate professors who required hard work and thinking. By now I understood
the value of general education and took advantage of outside events.
From political science, for example,
particularly European Political Systems, I learned of various forms of parliamentary democracy. I have long enjoyed classical music because in music appreciation cellist Herbert
Butler taught us how to listen. My interest in architecture began with historian Peter Schmidt’s lectures on Victorian homes in Kalamazoo. Bob Dye’s year
long seminar on the films of Ingmar Bergman made a huge impression, so much
so that I spent a summer in Stockholm absorbing what I could of that vibrant, brooding north European culture.
I became enamored of the arts. Nearby Nazareth College devoted a semester to the stunning Kenneth
Clark Civilization series that had been popular on public television. I became a
regular at the springtime Kalamazoo College Bach festival. Once
when seated on a bench on the K College quad, composer and artist in residence Aaron Copland wandered past. We talked for ten minutes.
Twice I represented Western at collegiate conferences at the United Nations. There were the intellectually challenging graduate seminars at Oxford and in Yugoslavia. The latter was my first exposure to the then still remote, mildly exotic Slavic world. Visiting six Yugoslav republics and Kosovo over a five-week period, there wasn't one scholar who imagined that 30 years later their country would disintegrate into horrific ethnic conflict.
Because I was interested in South Africa, when drama professor Zack York was casting his adaptation of Alan Paton’s Cry the Beloved Country, I auditioned and got a major part in the first play staged in Western’s Laura Shaw Theatre.
Because I was interested in South Africa, when drama professor Zack York was casting his adaptation of Alan Paton’s Cry the Beloved Country, I auditioned and got a major part in the first play staged in Western’s Laura Shaw Theatre.
I was fortunate to be in Kalamazoo during what might be called the cultural revolution of the turbulent 1960s. So many things
were new and exciting. Stereophonic sound was electrifying. Later Beatles music
opened closed minds. Food coops and organic food were revelations, sensible and
cheap. Rock and roll was pervasive and anti-war protests constant. Jane
Fonda, William Kunstler and Alan Ginsburg all spoke on campus. Yes, the country
was divided but for the most part debate was constructive and healthy.
As a vibrant college town Kalamazoo rivals
Ann Arbor and surpasses most Midwest locations. Because Upjohn
pharmaceuticals was headquartered there, the city attracted educated, enlightened people from all
over. Kalamazoo’s downtown mall was the nation’s first and on its
fringes were funky book stores, bars and restaurants. Michigan News remains as it was and there's a fine common-folks
restaurant next door where the CharSteak used to be, remnants of an earlier time.
213 Elm St.
I probably learned more from conversations and music evenings at Vern and Margaret Berrys Victorian home on Elm
Street than in many classes. The Berrys raised five children there and
took in foreign students as well. Margaret’s percolator was always ready with cup of coffee. There was Indian food and interesting people. Doors were always open. Artists
worked in the carriage house in the back. The Red Clay Ramblers from Chapel Hill played in the living room.
Most of all Kalamazoo stood out for its wonderful people, many of whom from are still there. Times change but Kalamazoo remains a special
place where one can get a superb education. #
Barry, wonderful mini memoir of your life in Kalamazoo. I didn't arrive there until 1969, but thanks to meeting John, I too got to participate in the Berry's world of talk and music and friendship with so many, students and townies.
ReplyDeleteI am just back from the final concert of thr Gilmore International Keyboard Festival and I can assure you Kalamazoo remains an exciting little town in so many ways.
Be well!